Конкурс переводов с иностранных языков (английского, французского, немецкого, китайского) является конкурсом для учащихся 5 – 11 классов, изучающих иностранные языки, и проводится с целью повышения мотивации к изучению иностранных языков.
Конкурс проводится в возрастных группах:
— 5 – 6 класс;
— 7 – 8 класс;
— 9 – 11 класс.
На конкурс принимаются тексты по следующим номинациям:
— проза
— поэзия
По результатам Конкурса победителям и лауреатам вручаются Дипломы.
Участники Конкурса получают сертификат участника (в электронном виде по заявке).
Задание см.ниже:
Aнглийский
9 – 11 класс
If You Forget Me
I want you to know
one thing.
You know how this is:
if I look
at the crystal moon, at the red branch
of the slow autumn at my window,
if I touch
near the fire
the impalpable ash
or the wrinkled body of the log,
everything carries me to you,
as if everything that exists,
aromas, light, metals,
were little boats
that sail
toward those isles of yours that wait for me.
Well, now,
if little by little you stop loving me
I shall stop loving you little by little.
If suddenly
you forget me
do not look for me,
for I shall already have forgotten you.
If you think it long and mad,
the wind of banners
that passes through my life,
and you decide
to leave me at the shore
of the heart where I have roots,
remember
that on that day,
at that hour,
I shall lift my arms
and my roots will set off
to seek another land.
But
if each day,
each hour,
you feel that you are destined for me
with implacable sweetness,
if each day a flower
climbs up to your lips to seek me,
ah my love, ah my own,
in me all that fire is repeated,
in me nothing is extinguished or forgotten,
my love feeds on your love, beloved,
and as long as you live it will be in your arms
without leaving mine.
WHATIF
By Shel Silverstein
Last night, while I lay thinking here, Some Whatifs crawled inside my ear And pranced and partied all night long Whatif
I'm dumb in school?
Whatif they've closed the swimming pool? Whatif
I get beat up?
Whatif
dad is in jail For not paying his taxes Whatif
I start to call 911
Whatif I call Frankie for pizza pie What is
my plane was late
Whatif nobody
likes me?
Whatif a bolt of lightning strikes
me?
Whatif
I don't grow taller?
Whatif my head starts getting smaller? Whatif
the fish won't bite?
Whatif the wind tears up my kite? Whatif
they start a war?
Whatif my parents get divorced? Whatif
the bus is late?
Whatif my teeth don't grow in straight? Whatif
I tear my pants?
Whatif I never learn to dance? Everything seems well, and then The nighttime Whatifs
strike again!
The Sea Fowler by Mary Howitt
THE BARON
hath the landward park, the fisher hath the sea;
But the rocky haunts of the sea-fowl
belong alone to me.
The baron
hunts the running deer, the fisher nets the brine; But every bird that
builds a nest on ocean-cliffs is mine.
Come on then, Jock and Alick, let’s to
the sea-rocks bold: I was train’d to take the sea-fowl
ere I was five years old.
The wild sea
roars, and lashes the granite crags below, And round the misty islets the loud, strong
tempests blow.
And let them blow! Roar wind
and wave, they shall not me dismay;
I ’ve faced the eagle in
her nest and snatch’d her young away.
The eagle shall not build her nest,
proud bird although she be, Nor yet the strong-wing’d cormorant, without the leave of me.
The eider-duck has laid her eggs, the
tern doth hatch her young, And the merry gull screams o’er her brood;
but all to me belong.
Away, then, in the daylight, and back again
ere eve;
The eagle could not rear her young, unless
I gave her leave.
The baron hath the landward
park, the fisher
hath the sea; But the rocky haunts
of the sea-fowl belong alone to me.
Is Your Story-Telling Derailing Your Career?
Two Mindful Steps
To Get Back On Track
Janice Marturano
September 29, 2020
Forbes
Near the end of
his life, it has been reported that Mark Twain was asked to look back and offer
an assessment. He noted that ‘my life has been one tragedy after another but
thankfully, most never happened’. If you stop for a few moments and consider
this observation, you might also note the many times you told yourself a story
that something terrible was going to happen, but it never did. We are creative
beings and so we can imagine many outcomes or scenarios. Our minds can write
full-length feature films and we can become certain that the worst is going to
happen. Or we can limit our potential by telling ourselves that we will
certainly fail, or not be good enough. Too many careers stall before they need
to, solely because of the stories we create in our mind. I’m not talking about
full assessments that look at all possibilities. I’m talking about the much
more common assessment that only looks at all the things that might go wrong,
or that might make something challenging, often with little or no facts to
support those conclusions. These are the thoughts that can keep you from
soaring, or reaching your full potential. Here is a simple approach to
cultivating a more skillful approach to moments when your own thoughts may be
holding you back: 1. Write down the thought that seems to be holding you back
or cultivating anxiousness or fear, and then read it aloud. What do you notice?
2. Now, intentionally choose to hold the thought with some spaciousness and
note that ‘this may or may not be true’. There is no need to push the thought
aside or try to bury it. Just hold it lightly. In the spaciousness you have created
around these thoughts, they begin to loosen their grip. How do you want to meet
those words now? What is the skillful choice to live your best life? This
simple practice takes just a few moments but it can be a powerful way to
interrupt the thinking that has limited your career and your life.
Diplomatic Language
The expression "diplomatic language" is used to denote three
different things. In its first
sense it signifies the actual language (whether it be Latin, French, or
English) which is employed by
diplomatists in their converse or correspondence with each other. In its second sense it means those
technical phrases which, in the course of centuries,
have become part of ordinary
diplomatic vocabulary. And in its third, and most common, sense it is used to
describe that guarded understatement which enables
diplomatists and ministers to say sharp things to each other without becoming provocative or impolite.
"Diplomacy", as it was once said, "is the application of
intelligence and tact to the conduct
of official relations between the governments of independent states." The need of intelligence is self-evident,
but the equally vital need of tact is often disregarded.
It is this latter need which has led diplomatists to adopt a paper currency
of conventionalized phrases
in place of the hard coins of ordinary human
converse. These phrases, affable though they may appear, possess a known currency
value.
Thus, if a statesman or a diplomatist informs another government that
his own government "cannot
remain indifferent to" some international controversy, he is clearly understood to imply that the
controversy is one in which his government will
certainly intervene. If in his communication or speech he uses some such phrases as "His Majesty's Government
view with concern" or "view with grave concern" then it is evident to all that the matter is one
in which the British Government
intend to adopt a strong line. By cautious gradations such as these a statesman is enabled, without using
threatening language, to convey a serious warning
to a foreign government. If these warnings pass unheeded he can raise his voice while still remaining courteous and
conciliatory. If he says, "In such an event His Majesty's Government would feel bound carefully to
reconsider their position," he is implying that friendship is about
to turn into hostility.
April 21 -
Got a reply from Merton saying he was very busy and couldn’t stretch to passes
for the Italian Opera, Haymarket, Savoy, or Lyceum, but the best thing to see
in London was Brown Bushes at the Tank Theatre, Islington. He enclosed tickets
for four.
April 23 -
Mr and Mrs James came to meat tea and we left straight afterwards for the Tank
Theatre. We got a bus that took us to King’s Cross and then caught one that
took us to the Angel. Both times Mr James insisted on paying for all, saying
that I had paid for the tickets and that was quite enough.
We arrived at
the theatre, where I walked ahead and presented the tickets. The man looked at
them and called out: "Mr Willowly! Do you know anything about these?”
holding up my tickets. The gentleman of that name came up and examined my
tickets, then said: “Who gave you these?" I said, rather indignantly:
"Mr Merton, of course." He said: “Merton? Who’s he?" I answered,
rather sharply: "You ought to know. His name’s good in any theatre in London.
He replied: “Oh, is it? Well, it ain’t any good here. These tickets, which are
not dated, were issued under Mr Swinstead’s management, which has since changed
hands."
While 1 was
having some very unpleasant words with this man, Mr James, who had gone
upstairs with the ladies, called out: “Come on!” I went up after them, and a
very civil attendant said: “This way, please, box H.” I said to Mr James: “Why,
how on earth did you manage that?” and to my horror he replied: “Why, by paying
for it, of course.” This was humiliating enough, and I could scarcely follow
the play, but I was doomed to still further humiliation. I was leaning out of
the box when my tie - a little black bow one which fastened onto the stud by
means of a new kind of listener - fell into the pit below. A clumsy man, not
noticing it, had his foot on it for ever so long before he discovered it. He
then picked it up and eventually flung it under the next seat in disgust. What
with the box incident and the tie, I felt quite miserable. Mr James was very
good. He said: "Don’t worry - no one
will notice it, with your beard. That is the only advantage of growing one that
I can see.” There was no call for such a remark, for Carrie is very proud of my
beard. To hide the absence of the tie I had to keep my chin down for the rest
of the evening, which caused a pain at the back of my neck.
April 24 -
Could scarcely sleep a wink through thinking of having brought Mr and Mrs James
up from the country to go to the theatre last night, and having paid for a
private box because our booking was not honoured - and
for such a poor play, too! I wrote a very satirical letter to Merton, who gave
us the pass, and said, “Considering we had to pay for our seats, we did our
best to appreciate the performance.” I thought this line rather cutting, and I
asked Carrie how many ‘p’s there were in appreciate, and she said, “One."
After I sent off the letter I looked at the dictionary and found there are two.
Awfully vexed at this.
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